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Our journey to push the boundaries of what a drive pedal can be has come to its next stop. This is Subspace: the analogue versatility of Odyssey by Peter Hamstead, optimised for low frequencies. With it’s re-voiced circuit, enhanced with the addition of a parallel dry control, Subspace allows you to craft your perfect drive sound without losing any character or low frequencies from your original signal. You’ll be taken on a journey from clean boost with tone shaping, to warm vintage valve style overdrive, through to defined distortion and all the way to glitchy oversaturated fuzz. Subspace Promo Shot 1 Website Optimised.jpg Overview
Whilst developed with bass in mind, Subspace took us further than we could have imagined. When used with guitars it opens up a whole range of alternative and inspiring drive sounds, and allows frequency-specific clipping for all instruments including keys, synths and drum machines. When used with bass it offers more than you could believe was possible from a compact analogue drive pedal.
-3 Clipping Circuits -Powerful Tone Shaping -Frequency-Specific Clipping -Warm Vintage Overdrive -Defined High Gain Distortion -Parallel Dry Control with x2 Boost -+/-18dB of Treble and Bass Boost & Cut -Mid-Boosted Drive -Glitchy Oversaturated Fuzz
An all-analogue design by Peter Hamstead. Inspired & voiced by Tim Steer & Simon Francis.
Subspace features an optical OptoKick footswitch from our friends at TheGigRig, for silent and reliable switching.
Specification: All-analogue design Dimensions: 70w x 130d x 65h mm (inc. hardware) Weight: 550g / 1.2lbs Power Requirement: 9V DC ONLY, 60mA (centre negative) Input Impedance: 500K Ohms Output Impedance: < 300 Ohms Designed and built in Great Britain Subspace has been extensively tested with a large range of familiar basses, guitars and amplifiers to ensure that it will work superbly with any setup.